. Lisette and her husband Steven very kindly agreed to meet me to discuss her career, past, present and future and to celebrate (or commiserate as she's leaving!) She was "Considered by many to be this year's revelation of the ROF.". Oropesa speaks of her own packed schedule with love, calling it an amazing, beautiful calendar, but she and Steven still make a point to get back to Baton Rouge, where they keep a home, as often as is feasible; its important to Oropesa to find ways to give back not only to LSU but to any young artist who could use the direction and honest takes on being part of the opera world. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon. She returned home to New Orleans to be acclaimed as Susanna. Still, the role that brought her back to the MetManondid come as a surprise. The acclaimed operatic soprano Lisette Oropesa was singing Violetta's 'Sempre Libera' (Always Free) from Verdi's La Traviata, as an encore for her recital at the Verdi Festival in Parma, Italy.. With a quick stop to Dallas to sing with the Dallas Symphony Orchestra in Ein deutsches Requiem, she was back in Washington, D.C. to perform as Marie in La fille du rgiment again with the Washington National Opera. Once she was able to perform, she was rewarded in the press for a "brilliant voice, the treble easy, the vocalizations are perfectly executed and the line of song decorated with subtlety. Lisette Oropesa is quoted today as saying that overweight women cannot get cast these days in bel canto roles. She's also looking forward to coming home to Baton Rouge where she not only grew up but met her husband, Steven Harris, while both . . [119] Later in September, she made a double debut, one for "I puritani" and one at the Teatro di San Carlo with a "compendium of vocal technique, an essay on bel canto aesthetics". 1 production, 1 performance. I actually didnt like choir. "Oropesa made this notable role her very own, deftly and intelligently adapting to every negative plot twist with a fine sense of theater and with a bright, sunny soprano". "[79] She went on singing in a concert version of Robert le Diable at La Monnaie in Brussels. Her parents emigrated from Cuba. Opening night had seen The New York Times critic rave about her "exquisite singing, youthful allure, affecting vulnerability and, by the end, bleak intensity". Lisette Oropesa, Schsischer Staatsopernchor Dresden, Dresdner Philharmonie, Corrado Rovaris Composer (s): Gioachino Rossini, Gaetano Donizetti Release Date: 07-10-2022 PTC: 5186955 Physical Download Streaming 22,50 Select 10,99 22,50 Delivery Type Clear Add to cart Gioachino Rossini (1792-1868) Le sige de Corinthe (1826) . In 2015, she started the year at the Paris Opera as Konstanze with success. That summer resulted in Oropesa's continued operatic triumphs as Susanna in The Marriage of Figaro at the Santa Fe Opera: "Nothing in the evening surpassed her rendition of "Deh vieni, non tardar" in act 4, in which she spun strands of magic in the evening air" noted critic James Keller. Thtre des Champs Elyses Paris, FR. Its been important, too, for LSU music students to actually get to see what is possible. [43] She then finished the year with a performance of Rigoletto with the Teatro Real in Madrid in which she was a "Triumph".[44]. "Lucia is her first Royal Opera role, and the Cuban-American soprano is sensationally good." [58] She then went on to debut at the Royal Opera House in the title role of Lucia di Lammermoor. [48] Her next operatic role was a brand new production of Les Indes galantes with the Bavarian State Opera to which she performed to acclaim. The end of the 201213 season culminated with her singing as Gilda in Rigoletto and as the Waldvogel in Siegfried where she was well received in both productions: "Her pure, smooth soprano and alert presence were both endearing"[10] "including the bright yellow Forest Bird, beautifully sung from offstage by Lisette Oropesa. American soprano talks of Vienna audiences and opera in a time of pandemic precautions. In May 2011, she sang the part of the god Amor in Mark Morris's production of Orfeo ed Euridice. These days, Oropesa's life is a matter of what she needs: rehearsing, running, keeping in touch with family and making the most of her limited free time with her husband, Steven Harris, who was a high school classmate of hers before the pair later reconnected on Facebook. LISETTE OROPESA soprano Schedule Hamlet Ambroise Thomas Opra Bastille, Paris FR 2023 Saturday March 11 19:30 Tuesday March 14 19:30 Friday March 17 19:30 Tuesday March 21 19:30 Friday March 24 19:30 Monday March 27 19:30 Thursday March 30 19:30 Recital Olavinlinna Castle, Savonlinna FI 2023 Sunday July 09 19:00 Lucie de Lammermoor Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry. [116] At the same time, she was debuting at the Zrich Opera House in Lucia in an "electrifying interpretation". Londra, Royal Opera House - Alcina (con Lisette Oropesa) Nov. 10, 2022 La compagnia di canto si dimostra complessivamente all'altezza. Lisette will be back to sing it for you after the break. In December 2011, she created the role of Miranda in the Met's baroque pastiche, The Enchanted Island, singing opposite Plcido Domingo, and conducted by William Christie. Her return to the Metropolitan Opera to star in Massenets Manon was applauded by The New York Times; critic Joshua Barone said Oropesa slips into the title role as if it were custom couture.. "Oropesas Marie lacked neither virtuosity nor personality. "[52] She then went to Washington, DC to perform in recital, which was highly praised. It was a gutsy move, and Oropesa easily filled the smaller venue with sound. In 2020, Lisette returned to the Metropolitan Opera for her second title role of the season, Giuseppe Verdi's La traviata. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon. So, how much is Lisette Oropesa worth at the age of 39 years old? These concert arias, written for important sopranos in his life, contain the most lavish and virtuosic music Mozart composed, both for the voice and for the orchestra. In the 200708 season, Oropesa was seen in the Met's Hansel and Gretel as the Dew Fairy and, in the 200809 season, in the role of Lisette in La rondine, opposite Angela Gheorghiu, Roberto Alagna, and Samuel Ramey in Nicolas Jol's production. Her concert was hailed as "One of the most memorable concerts in the 39 year history of the Rossini Opera Festival." Next, she was in Munich for a performance of Die Entfhrung aus dem Serail with the Bavarian State Opera, making it her fourth year in a row of performing this role there. [114] She then returned to the Vienna State Opera to sing as Lucia in Lucia di Lammermoor where her "technique is astonishing and she was in absolute command. For her performance she was hailed as being "perfetta la Gilda". [1] She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. Find out about the people involved in our operas, ballets and more. She then went on to perform a new production of Rigoletto at the Dutch National Opera directed by Damiano Michieletto, in this well-reviewed production, she was noted as being "Slender and graceful, soprano Lisette Oropesa was simply world-class as Gilda, with flawless emission and generous top notes, crystalline up to high E. The long trill at the end of Caro nome would have traced a perfect zigzag on a pitch visualiser. Some of these pages will become unavailable for a period of time. Her next performance was at the Concertgebouw where she received a standing ovation for her rendition of "Caro Nome" in a recorded radio performance of Rigoletto. Rowe, Martin & Oropesa, Lisette (2014) "Running, Singing and being Vegan" (Ed.). In April and May 2012, Oropesa appeared with the Pittsburgh Opera as Konstanze in a production of Die Entfhrung aus dem Serail set on the Orient Express in the Pasha's private train car. Her performance was praised in the New York Times, saying the following "combining exquisite singing, youthful allure, affecting vulnerability and, by the end, bleak intensity, Ms. Oropesa emerged on Wednesday as a major Violetta. Its very exciting and fun, and they cant believe theyre meeting her, but its inspiring and it holds up a model of a way of working that presents the possibility of succeeding at the level that she has, Grayson says. In December 2011, she created the role of Miranda in the Met's baroque pastiche, The Enchanted Island, singing opposite Plcido Domingo, and conducted by William Christie. This time, her stage partner was Supreme Court Justice, Ruth Bader Ginsburg. Even more stunning than her bravura was the melting glow at the centre of her voice, her morbidezza (softness)." It was a gutsy move, and Oropesa easily filled the smaller venue with sound. Chinese opera student Liu Jianwei was attending Giuseppe Verdi's La Traviata at the Teatro Regio di Parma in Parma, Italy to listen to his favorite soprano, Cuban American opera singer Lisette Oropesa perform. Everybody plays a different instrument, so theres a little bit more mutual respect.. Or to put it another way, a great night at . Lisette Oropesa is one of the most in-demand lyric coloraturas today, who performs leading roles regularly at the most important opera houses around the world. On March 1st, she hosted the Metropolitan Opera National Council Auditions and gave a donation of $25,000, ensuring each contestant receives $20,000 and raising the prize money for the first time in over 20 years. She was universally praised with a "miracle of filati and variations, with spotless high notes. Her next concert was in Cincinnati with James Conlon in his last season with the Cincinnati May Festival. [42] In November, she was brought in for nearly back to back performances of Rigoletto and Die Entfhrung aus dem Serail with the Bavarian State Opera due to cancellations. Escuch por vez primera a Lisette Oropesa en 2019 cantando "La Traviata" en Verona. In September 2010, she reprised her Rhinemaiden in the Met's season-opening production of Das Rheingold, for which she won a Grammy Award for Best Opera Recording in 2013. [64] Lisette "moved across the stage like a phantom presence" according to LA Weekly. According to Arnold Saltzman, Oropesa "sang flawless runs and coloratura, acted in the humorous tradition of Carol Burnett, moved like a prima ballerina, and used vocal coloring for best emotional effect. 2015 - Rigoletto. ai thinker esp32 cam datasheet Her roots in Louisiana are very precious to her, as is her family, says Robert Grayson, the LSU professor of voice who still serves as Oropesas vocal teacher, occasionally flying out to her performances and rehearsals to offer advice. So, how much is Lisette Oropesa worth at the age of 39 years old? privacy and cookies, Lisette Oropesa as Norina in Don Pasquale, Glyndebourne, photo by Bill Cooper, Lisette Oropesa as Konstanze in Die Entfhrung aus dem Serail, Opera National de Paris, Lisette Oropesa in Orfeo ed Euridice, Metropolitan Opera, photo by Marty Sohl, Lisette Oropesa as Gilda at the Met, photo by Cory Weaver. First Place award, Licia Albanese Puccini Competition, 2007. This page was last edited on 28 February 2023, at 17:43. The New York Times noted that "The bright-voiced, impressive soprano Lisette Oropesa is a sunny, winning Sophie.". "[73] She then opened the season at the Teatro dell'Opera di Roma in a new production of Rigoletto. lisetteoropesa .com. She then went to Barcelona to perform in Rodelinda. In November, she was brought in for nearly back to back performances of Rigoletto and Die Entfhrung aus dem Serail with the Bavarian State Opera due to cancellations. She brought (Lisette) to my living room, and we did a little work and agreed shed come work with me that fall for her freshman year while also double-majoring in flute, Grayson recalls. Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry. Eventually, though, Oropesa yearned for something moreand European theaters had started calling. She was next heard in Paris for a concert of Falstaff with the Orchestre de Paris where she announced it would be the last performance of Nannetta she will sing. 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